29th Edition

The Tetouan Cinema Festival is giving a public meeting for the 29th edition, scheduled for April 27 or May 4, 2024, in the afternoon of the 28th edition with the launch of the Tetouan workshops, the programming of the Tetouan Industry Day and the Talents in Progress program.

Next year, the festival will host its main activities and will include new applications for the promotion of the art of the 7 days. Thus, the Festival Foundation invites the public and community leaders to participate in screenings, preparations, round tables and workshops on modern construction and construction, of which we also support by telephone the perspective and the consolidation of the existing—rooms, worthy of its thousand-year-old history.

This 29-day edition of the Festival includes the latest editions of the programs organized since the start of a new residency at the Superior Art and Cinema Studios in Morocco. These components aim, in particular, to help young creative actors pay the media to realize their projects and send them to the cinema as a transport choice.

opening and closing films

Opening film

  • Olfa’s daughters, by Kaouther Ben Hania, Tunisia, 2023, 107´ [ INFO ]

Closing film 

  • The Mother of All Lies, by Asmae El Moudir, Morocco, 2023, 97´ [ INFO ]

 

long films competition


      1. Disco Boy by Giacomo Abbruzzese, France, Italie, Belgique, Pologne • 2023 • 92’ [ INFO ]
      2. La Bella Estate / The beautiful summer by Laura Luchetti • Italie • 2023 • 111’ [ INFO ]
      3. Fonissa/Murderess by Eva Nathena • Greece • 2023 • 97’ [ INFO ]
      4. Muyeres by Marta Lallana • Espagne • 2023 • 70’ [ INFO ]
      5. From Abdul to Leila by Leila Albayaty • Allemagne, Belgique, Qatar, Arabie saoudite • 2024 • 92’ [ INFO ]
      6. Pure Unknown/Sconosciuti puri by Mattia Colombo and Valentina Cicogna • Italie, Swiss, Swede • 2023 • 93’ [ INFO ]
      7. Journal Intime by Mohamed Chrif Tribak • Maroc • 2024 • 90’ [ INFO ]
      8. O corno by Jaione Camborda • Espagne, Portugal, Belgique • 2023 • 105’ [ INFO ]
      9. Mon père n’est pas mort by Adil El Fadili • Maroc • 2023 • 100’ [ INFO ]
      10. A House in Jerusalem by Muayad alayan • Palestine • 2023 • 103’ [ INFO ]
      11. The reeds / Son Hasat by Cemil Agacikoglu • Turkiye, Bulgarie• 2023 • 125’ [ INFO ]
      12. Faruk by Asli Özge • Turkiye • 2024 • 97min’ [ INFO ]

our favorites


      1. Bye bye Tiberias by Lina Soualem • France, Palestine, Belgique, Qatar • 2023 • 82’[ INFO ]
      2. Animalia by Sofia Alaoui • France, Maroc, Qatar • 2023 • 90’ [ INFO ]
      3. C è ancora domani by Paola Cortellesi • Italie • 2023 • 116’ [ INFO ]
      4. Matria byÁlvaro Gago • Espagne • 2023 • 99min [ INFO ]
      5. Goodbye Julia by Mohamed Kordofani • Soudan, Egypte, Allemagne, France, Arabie Saoudite, Suède • 2023 • 120’ [ INFO ]
      6. IO capitano by Matteo Garrone • Italie, Belgique, France • 2023 • 121’ [ INFO ]

meeting 1:Moroccan cinema,Today new breath ,new journey

speakers:

  • Mohammed Bakrim – Cinema critic
  • Abdlkrim Chiguer – University professor
  • Said El Mazouari – Cinema critic
  • Tahar Chikhaoui – Cinema critic

MODERATOR

  • Mohamed Jibril – Writer

meeting 2:Facing the challenge of eric rohner

SPEAKERS :

  • Kamel Ben Ouanès – University researcher
  • Mehdi Benallal – Filmmaker and producer
  • Christophe Clavert -Cineaste

MODERATOR :

  • Leila Cherradi – Cinema researcher

Faouzi bensaidi special tribute

Faouzi Bensaïdi trajets au (du) pays cinéma/trips to (from) cinema country

Faouzi Bensaïdi (1967), the author of works such as The Cliff (1999), A Thousand Months (2003), Summer Days (2022), and Deserts (2023), crafts a body of work that, marked by the contrasting and subtle nature of themes with multiple societal and cultural resonances, continually refines itself and sharpens into an eminently cinematic, lively, and ever-creative vision. Clearly, it demanded from us a gesture destined to remain a landmark date. A first in the annals of national festivals.
In a rare and dense testimony titled «In Those Years…» published in the Wachma magazine of the Tetouan Cinema Friends Association, Faouzi Bensaïdi wrote in 2004 about the famous Hollywood film, the «legend» that is Casablanca by Michael Curtis (1942): «Soon people will swear they saw Humphry Bogart downing a double scotch at the bar, and tourist buses will park outside. That would be the end of the legend. But perhaps, ‘It’s the beginning of a beautiful friendship,’ Perhaps it is the beginning of a beautiful friendship… between cinema and Morocco.»
Undoubtedly, this has been the challenge from the outset of the journey in 1999 with The Cliff (1999): to weave, to reweave a relationship between bonds (friendships) and distances (animosities) in relation to the sometimes heavy, debilitating weight of any «legend,» stereotype, or «still image» (Serge Daney).
Since then, there has been an ongoing, insatiable quest (investigation) around a third space-time. The Arabic title Deserts الثلت الخالي is a vacant third (2023). It translates this quest (investigation) into transient places, halfway places, or de-territories between fiction and reality.
Today, the retrospective is all the more timely, relevant as it offers the opportunity to closely examine in short and feature films the repetitions variations of an open work contributing to the construction of a beautiful mausoleum to (of) cinema in the country. Like a «musical architecture,» to borrow a phrase coined by Faouzi Bensaïdi himself.

 

Tributes

Vildan Atasever

A star from Anatolia

Famous with the television series “If the woman wants”, is the winner of the Golden Orange Award. Vildan Atasever was born on July 26, 1981 in Bursa, Erzurum into a family of 5 children. Vildan Atasever, whose father is a narcotics commissioner and his mother is a housewife, has 4 other siblings. He graduated from Bahçelievler Gürsoy College and started high school after some time, leaving here and transferring to Cihangir College. His desire to become a famous actor was also based on those years. He started playing as an amateur at the age of 15. After high school, he worked as a radio DJ and VJ in Best TV in the years he went to Open Education. Her recognition began when she became a web girl on the famous site of the time, chivi.com. He entered the theater when he met theater actor Çetin Etili. She rose to prominence in the television world with the character Nazlı Bekiroğlu in the television series Kurtlar Vadisi. In this series, she played the drugaddicted daughter of Hüsrev Ağa. Vildan Atasever, who got help from his father to work for the role, spent time with drug addicts at UMATEM, both supporting them and preparing for his role. Her big break was with the role of “Buket”, the daughter of Hülya Avşar in the TV series “Woman Wants”.

Subsequently, she participated in the productions of Azize, Picking Up a Girl on the Beach, Kader and Wounded Heart. She played Hülya Avşar’s daughter in her first feature film, directed by Kutluğ Ataman and adapted from Perihan Mağden’s novel “Two Young Girls”. He made his debut in the world of cinema with the film Two Young Girls, which earned him the Golden Orange. She received the “Best Actress Award” at the 42nd Antalya Film Festival for her role as a school-skipping young girl in the film. He says that Hülya Avşar, with whom he worked in this film, had a great contribution to get there. Melisa Sozen. He had a role in the TV series Night Sesleri which aired on Show TV. She starred in the TV series “Love in the Leading”, produced by Dimension Film, which aired on TRT 1.
In 2008, he shared the lead role with Ata Demirer in the film “Ottoman Republic” written and directed by Gani Müjde. In 2013, Hasan Kaçan, Şebnem Sönmez, Cezmi Baskin, Fırat Tanış, Vildan Atasever and Burak Satıbol starred together in the movie “Exile Cow”.

Isabella Ragonese

Italian attractiveness

One of the most important Italian actresses on the contemporary scene, Isabella Ragonese has worked with some of the most prominent authors of Italian cinema. Her film La Nostra Vita, starring together with Elio Germano, was presented in competition, with the best favor of the public and critics, at the Cannes Film Festival in 2010. Ragonese has worked with directors such as Paolo Virzì, Mario Martone, Marco Tullio Giordana, Pupi Avati, Emanuele Crialese, Roberto Andò, Daniele Luchetti, Sergio Rubini and Valerio Mieli. Rosa – Il Canto delle Sirene is her directorial debut filmmaking.

Isabella Ragonese’s filmography

Nuovomondo, 2006, Emanuele Crialese

Tutta la vita davanti, 2008, Paolo Virzì

Viola di mare, 2009, Donatella Maiorca

Due vite per caso, 2009, Alessandro Aronadio

Dieci inverni, 2009, Valerio Mieli

La nostra vita, 2010, Daniele Luchetti

Il primo incarico, 2010, Giorgia Cecere

La sedia della felicità, 2014, Carlo Mazzacurati

Il giovane favoloso, 2014, Mario Martone

Una storia sbagliata, 2015, Gianluca Maria Tavarelli

Dobbiamo parlare, 2015, Sergio Rubini

Sole, cuore, amore, 2016, Daniele Vicari

Il padre d’Italia, 2017, Fabio Mollo

Mio fratello rincorre i dinosauri, 2019, Stefano Cipani

Lei mi parla ancora, 2021, Pupi Avati

Il giorno e la notte, 2021, Daniele Vicari

Yara, 2021, Marco Tullio Giordana

Il re, 2022, Giuseppe Gagliardi

Solo per passione – Letizia Battaglia fotografa, 2022, Roberto Andò

Rosa – il canto delle sirene, 2022, Isabella Ragonese

Come pecore in mezzo ai lupi, 2023, Lyda Patitucci

Il re, 2024, Giuseppe Gagliardi

 

workshops jury

Antonio Pezzuto

Jury member

Cinema expert and film curator

Italy

Kamla Abou Zekry

Jury member

Director

Egypt

Bahaa Trabelsi

Jury member

Journalist and screen writer

Morocco

Christoph Thoke

Jury member

Producer

Germany

OFFICIAL COMPETITION JURY

Elia Suleiman

President of jury

Film Director

Palestine

Guslagie Malanda

Jury member

Actress

France

Simone Bitton

Jury member

Director

France-Morocco

Silvia Scola

Jury member

Director

Italy

Radu Mihaileanu

Jury member

Director and producer

Romania

CRITIC JURY- MUSTAPHA MESNAOUI

Chadia Khdir

Jury member

Journalist

Tunisia

Rachid Naim

Jury member

Film critic and university researcher

Morocco

Francisco Griñán

Jury member

Journalist

Spain